Passing the Left Bank, a eating place on Santana Row in San Jose, it’s smooth to forget you’re not in Paris. The boulevard area is a newly concocted entertainment of a French boulevard, or… is it an Italian plaza? A few stairway more and you’ve entered Sino, artistic cook Chris Yeo’s hip conception of a metropolitan Asian restaurant next to dim sum carts moving something like amply minimalist ruby, gilded and bronzy booths. No, you’ve been transported to Beijing’s poshest restaurant… or have you? Meanwhile, at El Jardin in Santana Row park, a Latin talk ternion plays, redolent of of an day in Buenos Aires… or not.
There are so umpteen receptive experiences along San Jose’s themed buying and dining dominion named Santana Row, that it’s graspable why so galore first-time people possibly will become surprised about wherever they are. In creating Santana Row, more than a few of the world’s optimum urban experiences were fused, generating a new put down that defies categorisation. More than a purchasing district, it is a municipal next to parks, townhouses and a building. Facades of the five-story buildings on the boulevard suggestion stylistically that Santana Row evolved complete the past time period. A pseudo art deco frieze atop one of the phony fronts heroically declares “DeForest” hinting that a number of business works past busy the construction in the 1930s. The harmonized tallness of the buildings on its 1500-foot “Main Street” shocks one’s senses after arriving from sprawling Silicon Valley where building tallness seems forced with the sole purpose by target. Suddenly, you’ve entered an municipality ravine as is communal in European cities.